The voice is important verdiana true nature, filled with a heavy heart and a serious enough, but wh

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It is broadcast recorded on 13 June 2011 that went to the cinema and I did not see at the time, Giuseppe Verdi's Macbeth, with Simon Keenlyside and Liudmyla Monastyrska leading production that Phyllida Lloyd saw the Liceu (Alvarez Guleghina) and also was recorded and sold on DVD, and masterful musical direction of Antonio Pappano.
The big surprise of these performances was the Ukrainian soprano Liudmyla decoration maison Monastyrska, which is starting to make an impact at the best stage race in the world (Doña Jimena arts these days, Odabella Santiago and then in Berlin, the Aida MET and Scala, Scala and Abigaille in ROH ...).
The voice is important verdiana true nature, filled with a heavy heart and a serious enough, but where the area is surprisingly sharp and at ease to make coloratures, the chopped stairs or a pianissimo highest decoration maison score complicated and demanding as the Lady. Dramatically long and credible role without being a stage animal, holding up very well and the movie camera closeups always complicated singers accustomed decoration maison to theatrical action brigades are often the cinema.
If the exit aria surprised decoration maison by the intensity and the apparent ease that has to overcome all the pitfalls, including agilities of "Gold sorgete tutti" in the second aria "the luce langue" is dramatically intense and wonderful the hallucinated "a decoration maison macchia tuttora and who" makes a convincing internalization band Madness of Queen, an astonishing technical ability, following the aria with the corresponding acute pianissimo as almost anyone can do, and tuned beautiful. Brilliantly played happily recorded for posterity.
In many ways, even in the cold steely remember the great Dimitrova. I'm afraid the typecast by Lady Abiagaille and Odabella adotzenant and ends up, the risk looms as these look so rich and sumptuous and are not easily by repeating and repeating the same roles in all theaters, not evolve. The voice is wonderful and huge possibilities. Lady Macbeth is a character cold, manipulative, vindictive, greedy for power and revenge, decoration maison perfect for a distant personality, be able Monastyrska change log and show versatility to a whole lyricism Aida? Therein lies the enigma decoration maison to become a major or not.
Macbeth is a challenge for any baritone. It needs a lot of nobility and vocal dramatization rather complicated character. He is a strong character and also very weak and afraid, dominated by wicked ambition and wife is not always easy to give the character of these records. Luckily Simon Keenlyside decoration maison is one of those artists who is endowed with credibility as an actor, and remarkable for both its Macbeth reveals different levels in each stage of a psychological character as complicated and inwardly tortured. Vocally has limitations, as the role requires a voice full of drama and he possesses. Yet his musical intelligence and well-dosed decoration maison perfectly fitted in the production version grants, especially recorded a modernity that is very welcome, as it exaggerates ever singing, no unnecessary stresses with grandiloquence. The fight inside is perfectly drawn in the duet with Lady and the great aria "Pietà, rispetto, amore". The big difference between possessing Monastyrska voice and Keenlyside, not exactly green, but a great artist is versatility, which has the ability to sing the baritone role English green, a liederaben Schubert or Debussy's decoration maison Pelléas with excellent results lenses. I'm not so sure that the case of the Ukrainian soprano to baritone English approach.
Banquo is the low American Raymond Aceto, voice generous and noble, but perhaps not the full line of serious or her song is seductive enough to make the big roles of Verdi repertoire. This complies with much dignity.
The American decoration maison tenor Dimitri Pittas of Greek descent did not like much. An illustrious blog commentator said recently that there is no wrong tenor to sing "the paternal hand," Macduff's aria, showcasing the unique opportunity for him. I would not say bad singer, but I just like it. Force the issue, not his looks exactly legato phrases in major Verdi nor phrasing s