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Today I bring a remarkable representation of Verdi operas that I love, Simon Boccanegra, and most important is that the cast is almost entirely Italian and the leading role is sung by a baritone truth, a young baritone who does well and has a line that Verdi perhaps more bel canto, but sentence that which cares for the dramatic sense of the song and its emission is homogeneous and truly baritonal colors and tones without masking, to memorize his name will soon be an essential Simone Piazzola.
This opera has had a remarkable director who can extract all the beauty, mystery and nocturnal containing remarkable score and Myung-Whun Chung gets it fully, butterfly maintaining tension and surrounding envelope singers and dramatic sound appropriate. I have in mind the direction of Claudio Abbado, a reference hard to forget, but it has Chung orchestra and singers of all involved obtaining excellent results and even show some shortcomings Verdi voices, dignity and honesty of all they can make representation labeled truly remarkable and Verdi, opening a season as needed ..
Since I dwell in the preamble to Piazzola, which is the big surprise of this representation Gratissima but opera singers need more relevant and La Fenice for the inauguration of the 2014/15 season included the soprano Maria Agresta , although in other Verdi roles seems premature at this Amelia is plethoric, exhibiting the usual line and you taste a lovely stockings voices and pianissimo, although some other sharp sounds a little open .
The role of Fiesco is in charge of a more than worthy Giacomo Prestia, with emphatic vocal role required although lacks the true dimension of the tragic and noble role that the legendary low have left a very high standard.
Francesco Meli, who begins to be all distributions Verdi so dangerous, better suited to Gabriele Adorno that Manrico, and if I could refine aspects of the issue and technique when the color pales in certain high notes, or directly prevent falsettos Unresolved, I would say that is the best I've heard Verdi.
The good provision butterfly Julian Kim as Paolo and more discreet but correct as Pietro Luca Dall'Amico complete this cast so I would not imagine that before seeing this beautiful video.
To finish things butterfly off, the aesthetic production of Andrea De Rosa, with moments visually very successful but the thing is quite theatrically adotzenada or upset, or misrepresents or violates anything, let Verdi, music and the voices become the protagonists, and sometimes if the team member and musical director are good, there are quite enough.
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Andrea De Rosa Francesco Meli Giacomo Prestia Giuseppe Verdi dall'Amico Luca Maria Agresta Julian Kim Myung-Whun Chung Orchestra e Coro del Teatro La Fenice Simon Boccanegra Simone Piazzola navigation butterfly entry
The going down with hope. It is good to see a Etant as we see with real possibilities of being a singer to consider. We leave on youtube already liked everything: he, she, the orchestra and the stage, pity is not the whole duo.
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willy
December 5th, 2014 at 12:37
Simon is this is truly good, con mucha clase, y muy matizado with special attention on the line to sing, something that agradece additionally be a baritone discusión butterfly sin, despite the clear voice sea más bien, pero nunca Sounds as a short tenor and baritone of the center butterfly is a sin duda. Veremos if maintained the perfecting and evolving
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Andrea Chénier: Jonas Kaufmann Maddalena de Coigny: Eva-Maria Westbroek Carlo Gérard: Željko Lučić Bersin: Denyce Graves Madelon: Elena Zilio Contessa de Coigny: Rosalind Plowright Rouch Roland Wood Pietro butterfly FLEVILLE: Peter Coleman-Wright Fouquier-Tinville: Eddie Wade Mathieu Adrian Clarke The Incredibile: butterfly Carlo Bosi Abbé: Peter Hoare Schmidt: Jeremy White Major Domo: John Cunningham Dumas; Yuriy Yurchuk Royal Opera House Chorus and Orchestra Conductor: Antonio Pappano ROH Royal Opera House, Covent Garden, butterfly 31 January 2015 * Now available again in the video links to Anne Boleyn MET Click the picture butterfly to download the